Note: This post has been moved from Latest Picks due to length of extended updates.
And opening today in Weston-super-Mare:
Banksy sets up Dismaland theme park at derelict seaside lido (msn.com).
“Residents had believed the 2.5-acre Tropicana site, a former lido, was being turned into a film shoot in a cover story maintained by the local council. A sign reading ‘Dismaland’ was erected across the front of the building and stewards wearing pink tabards with ‘Dismal’ on the back began working there. … Banksy described the park as ‘a festival of art, amusements and entry-level anarchism’, adding: ‘This is an art show for the 99% who’d rather be at Alton Towers.’ The Bristol-based artist was inspired to create the park after peeking through a gap in the fence at the Tropicana site in January. ‘It’s not a swipe at Disney,’ he said. ‘I banned any imagery of Mickey Mouse from the site. It’s a showcase for the best line-up of artists I could imagine, apart from the two who turned me down.’”
An actual statement or pure middle-class “entry-level anarchism” for “the 99% who’d rather be at Alton Towers” instead of an art show? As one mother queing suggested relating to her young son on the surprise breakfast TV spectacle for Weston-super-Mare this morning, “he’d rather be at Disneyland but….”
“He insists the site is not a ‘street art’ show, adding that the art form is ‘just as reassuringly white, middle class and lacking in women as any other art movement’.”
Obviously well aware of his likely audience and reassuringly aware that he is unlikely to change anything with his arts expression.
“Much of the work requires audience participation, with visitors able to photograph themselves behind a seaside-style piece with cut-out faces, featuring pirates carrying rifles. Inside Banksy’s princess castle lies a dead Cinderella spilling out of her crashed carriage, lit up by a group of photographers flashing their cameras and the light of a motorbike. A bus-mounted museum examines the role of design in social control, while a portable building in the children’s area offers loans against their pocket money.”
But perhaps lacking the last exhibit where he’s having the last laugh at his audience who—crashing the website in the clamour to get tickets—are consumers of his anti-consumerism.
“North Somerset Council leader Nigel Ashton remained tight-lipped over when the authority had been made aware of Banksy’s plans. ‘It’s a fantastic show,’ he said. ‘It’s very, very thought provoking. Some of the messages are hard to accept but true nevertheless.’”
“Thought provoking” and “hard to accept but true nevertheless” making some perhaps wish he’d had included the rip off ride that is outsourced council repairs no doubt for some that may have attended. Creepmoat Castle (Facebook) or Smears Group Repairs (independent.co.uk, Jan. 2014) anyone?
Updates/Follow Ups
17th October 2015
Banksy’s Dismaland arrives in Calais ‘Jungle’ to shelter refugees, becomes Dismal Aid (theguardian.com).
“The park was dismantled and shipped from Somerset—timber, fixtures and all—across the Channel to its new home in The Jungle, the camp where thousands are living as they try to enter the UK. The park’s version of the iconic Disney castle now stands over the camp where thousands living in makeshift tents, many having fled war-torn countries like Syria. Over two days, an unidentified group of people were building shelters in the camp, and just before dark on Thursday, a sign was erected over the buildings that says ‘Dismal Aid’.”
Indeed, although the artist himself keeps out of sight that’s no excuse for missing out on a dismal post-show photo op. Presumably Somerset’s own “refugees” fared better, the majority of local businesses reporting up to 50% increase in trade (see below).
2nd October 2015
What other anti-authority iconography could be brought in before the short-run show came to a close?
Pussy Riot rehearse for Dismaland concert finale—in pictures (theguardian.com).
“The Russian group rehearse their performance to mark the closure of Banksy’s ‘bemusement’ park in Weston-super-Mare. The practice, which choreographs 25 actors and martial arts fighters in full police riot gear, took place at The Laundry”
Indeed, and the way she’s waving that baton in the last picture seems to sympathise as much with post-war existentialist Albert Camus (Wikipedia) as with those oppressed by a police state:
“Every revolutionary ends up either by becoming an oppressor or a heretic.”
But, then again…
“Only a philosophy of eternity, in the world today, could justify non-violence.”
But certainly a nice lil’ earner, but not just for the “activist” artist:
Banksy’s Dismaland makes £20 million in five weeks (msn.com).
“Banksy’s Dismaland theme park has raked in a whopping £20 million for Weston-super-Mare’s economy. [Visit Somerset’s John] Turner said: ‘This has been a global phenomenon of major importance for the region, as we have seen a large international surge in what is a predominately a solid and reliable domestic market. The majority of businesses have been reporting up to 50% increases on last year and as this event overlapped in the most crucial time in the holiday calendar, could well see a further £20,000,000 coming back into the local and regional economy.’”
And pulled down after it’s five-week run at least the resources will be put to good use:
Dismaland to be sent to Calais to shelter migrants.
“Britain’s most disappointing tourist attraction is to be dismantled and sent to Calais to be shelter for migrants, creator Banksy has revealed. Work to take down Dismaland begins on Monday and the elusive street artist said all the timber and fixtures from the so-called Bemusement Park would be sent to ‘The Jungle’ camp, where thousands are camped.”
25th August 2015
Banksy unveils Dismaland TV advert (video, msn.com).
“Banksy has released a ‘television advert’ for his theme park Dismaland—promising visitors a place where ‘all your dreams come true’.”
Recent/related stories
- Sotheby’s S/2 gallery released video promoting Banksy retrospective (Pick of the Week 21st June 2014)
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